Cookies and Scream

The devolpement of a small business in London from concept to cult favorite

Landscape photography print examples by Nigel Morton

Cookies and Scream: Cool Bakes and Hot Stuff!

In 2010, an evening chat about my wife Chrissie’s home-baking experiments sparked a sudden flash of inspiration. I sketched out a logo of her holding a tray of bakes, suggested the name Cookies and Scream, and a 16 year journey began.

What started as a home kitchen experiment evolved into a beloved London institution, growing from a market stall into two thriving shops. Together, we navigated highs and lows, from building a fiercely loyal community to surviving property fires and the COVID-19 pandemic.

While rising city costs and a changing market eventually brought our chapter to a close, the resilience, creativity, and community we built remain unforgettable. I spent those 16 years working full-time elsewhere but living this adventure behind the scenes. This is the story of our journey.


Logo and Identity

The visual identity of Cookies and Scream was born in 2010 from three things Chrissie and I loved: her quirky collection of Mexican Día de Muertos ornaments, the distinct green of our kitchen, and our shared love for retro design and fashion.

The Cookies and Scream wordmark came together fairly quickly, using a modified P22 Posada font. Our signature screaming “Chick” logo, as we later came to call it, took much longer to develop.

Landscape photography print examples by Nigel Morton

Colour logo, used most of the time

Landscape photography print examples by Nigel Morton

Black and white variation, used occasionally

Developing the “Chick” logo began with a series of photos of Chrissie holding various household objects, which I used as stencils in Adobe Illustrator. To nail the retro aesthetic, I researched 1950s pin-up illustrations, sketching out concepts until I found the right blend. Crucially, the character had to look like Chrissie, right down to her signature baking bandana.

After several iterations, I brought the vector artwork into Photoshop to finish it with an airbrushing technique. The logo evolved with the business; over the next 16 years, I revisited the design to adjust her hair color and redraw the items she was holding.

Notes made for the Hilton Hotel group website home page

Where it all began

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First Illustrator sketches

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The hand proved difficult to design

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Adding textures in Photoshop

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Further design ideas

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The logo in use towards the end


Camden Town

After initially selling from home, exhibiting at major trade shows, and winning several prestigious Great Taste awards, we took the leap and secured a stall at London’s Camden Market. This meant baking everything at home late into the evening and transporting it for sale the next morning. The stall itself was a simple setup, brought to life by our fresh new banners and some carefully chosen lighting.

Landscape photography print examples by Nigel Morton

An early press shoot after baking at home

Landscape photography print examples by Nigel Morton

Setting up at the Taste of London in the Excel exhibition centre

With Chrissie working incredibly long hours, the opportunity to move into a market unit with its own kitchen was a game-changer. As Cookies and Scream's customer base grew, we jumped at the chance to create a more sustainable setup.

Working with a tight budget I handled the work myself, installing our branding and decorating the space to stay true to our signature aesthetic.

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The unit we moved into after outgrowing the stall

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Setting up the stall in the early days

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Attracting early customers

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Various hanging A-board designs that I made over the years

Notes made for the Hilton Hotel group room information page

My design for a neon sign that was made and sadly destroyed in a fire


Printing and Further Design Work

The first printed piece I designed was a leaflet styled like a fold-out CD jewel case insert, reflecting our love for music. I also created business cards, loyalty cards, and branded cups for hot and cold drinks. I handled photography for advertising and the Cookies and Scream Instagram account, which grew to a community of 28,000 followers.

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CD insert style leaflets

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Early business card design

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Various loyalty card designs

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Hot drinks cup design file

Notes made for the Hilton Hotel group room information page

Hot drinks sleeve design file

Notes made for the Hilton Hotel group room information page

Cold drinks and thick shakes cup design file


Merchandise

A few years earlier, I’d played guitar in several bands and toured the UK and Europe. In that world, designing and selling merchandise is vital. Without it you simply can't survive a tour financially. Having always loved creating merch for my own bands, doing the same for Cookies and Scream felt like a natural extension. Some pieces simply featured our logo, while others were less-than-subtle nods to our alternative music tastes. Over the years, I designed a range of T-shirts that paid homage to the staff’s favorite punk and metal bands.

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Our homage to Washing DC hardcore punk band Minor Threat. The design was used on a very limited run of t-shirts and tote bags

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Another homage to a different Washingto DC band, Bad Brains. The back print is derived from their song Movin' On

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A complex design I came up with using photographs of kitchen and baking utensils. This was inspired by album artwork used by British metal band Carcass

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Some early badge and sticker designs. The stickers were printed in an assortment of sizes and used to decorate gift boxes

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Stickers, badges and mugs using the Carcass design. A modified logo using a large ampersand to split the logo across two lines was used on the baseball caps


Second Location: Holloway Road

After several successful years in Camden Town, Cookies and Scream was strong enough to expand. The original shop was too small to comfortably handle both baking and serving. We began searching for a larger space, ideally close by, but capable of attracting a new audience.

We found a former bridal shop on Holloway Road but it required a complete transformation. Chrissie and I took on the challenge of planning and designing the entire interior ourselves.

Landscape photography print examples by Nigel Morton

Social Media advertising for the new location

We designed the interior around a bar-style serving counter with retro stools, a raised footrest, low-hanging lights, and a 1950s-style booth at the back. Getting the workflow right was crucial, and our layout worked so well it remained unchanged until our final day.

I painted the space in our signature Cookies and Scream green, adding a bold splash of red in the cloakroom. Our love for music was everywhere: alongside framed prints of our favorite bands and comedians, I designed a front awning inspired by the legendary New York venue CBGB. I hand-painted a gold, green, and black sign directly onto the front window.

Complete with cinema-style lights, a neon "shakes" sign, and a small tropical garden out back, the shop was a true labour of love. After three months of balancing the build with my day job, we opened the doors in October 2016.

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The Holloway Road premises before moving in

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The empty interior of the premises

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Bar/serving area construction and awning installation

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Front and top projections of the proposed shop layout

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The interior view towards the end of our tenure

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The hand-painted window artwork viewed from outside

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The bright red cloakroom area and booth

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The interior area soon after opening

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Another sign I hand-painted, this time displayed inside

Notes made for the Hilton Hotel group room information page

I painted the exterior black a few years after opening


Website

Soon after opening in Camden, I built the first Cookies and Scream website using HTML and CSS. I had no formal training in web design or UI, but it did the job and stayed live for several years.

The main drawback was that it wasn't responsive. To fix this, I built a second version optimised for mobile devices. This redesign used clean, straightforward product lists. Since Instagram was our primary way of connecting with customers, we kept the website intentionally streamlined rather than overcomplicating it.

Landscape photography print examples by Nigel Morton

The first Cookies and Scream website

Landscape photography print examples by Nigel Morton

The second, simplified design


The End

Sixteen years after our Camden debut, we made the heartbreaking decision to close our doors. Our footprint had shrunk five years prior, when a suspicious fire devastated several Camden premises. Although the flames missed us, the resulting water damage destroyed our shop beyond repair, leaving Holloway Road as our sole location.

The modern high street is incredibly hostile to independent businesses, driven by factors that often boil down to corporate greed. We felt this firsthand during our exit, when our landlord levied substantial, fabricated financial claims against us. We successfully fought and disproved these accusations, but it was a sobering reminder of why small businesses face such an uphill battle.

Landscape photography print examples by Nigel Morton

The image that accompanied our farewell message on social media

We are extremely grateful to everyone who visited Cookies and Scream or supported us along the way. It was an incredible experience and we made many wonderful friends through the business.

We were also incredibly fortunate to work alongside an outstanding team of staff, many of whom we are proud to still call close friends today.

Thank you all.